A. Double [aka Addverb Superb]
Intellect Emcee and I formed InLimbo circa 1990. After a couple of years of that, I wanted to branch out to do things I didn't think fit with with InLimbo...i.e. less serious song material.
As it turned out, two of my road-homies (BC, LJ and I were frequent party-goers) also started freestyling with Intellect and I almost everywhere we went. While hanging out with them on one of many sleepless weekends, we formed Midwest Avengers, and I was going to be their DJ (which, is what I started out as in InLimbo; Intellect was the emcee, I was DJ D-Train, and when I rhymed, my moniker was "Choo-Choo." Yes. It is funny) This was around, 1992 or 1993.
Intellect joined Midwest Avengers around the time it became a loose collection of freestyle fanatics, when any combination of the 20 or so affiliated rappers and emcees would show up to do shows. Midwest has a deeper history, but essentially, everything solidified when DJ Toasty Toast, aka Toast Emcee suggested we stop just freestyling, and actually practice a show format, with the most regular emcees, over breaks he would find and cut up.
The reason I mention that much of their history, is becuase through them, we actually began to get noticed beyond our original scene. Deep heads like Lyfestile and others liked us, and respected what we did. But it was through freestyle format both of us excelled at writing and showmanship, and it is where Intellect got the notoriety and fame; he literally transformed into everybody's favorite emcee on Midwest stages, as freestyle unlocked the artist within him, his artist self emerged, and his style solidified.
Back to me: I had my first baby in 1995, so about then is when music began to take a backseat, and life started taking over. The juggling act made me less reliable for recording and performing, so Intellect mostly worked with Midwest (which, as described earlier, definitely worked for him.)
About this time, DJ B-$Money aka Brian Dollars aka the Beyonder, revived us (1994ish), and we once again were out doing shows and performing. in 1994 (?) We released "C.R.E.W." (a cassette release!!!), featuring All That Ish, which was unsolicited yet picked up and reviewed by The Source in their Midwest Edition that summer.
That was a high point. Lots of buzz, but not capitalized on. Boo.
I worked on beats and rhymes for years after that, but nothing was released until the stalled "King of the Bullshitters" project was raided for singles, and put out as "Alias Helios:The KOTBS ERA SINGLES" collection (affectionately described as "Thirty-Something Daddy-Hop") in 2006. It contained beats from 1998 or so forward (That song, "Slips and Drums" I brought a few weeks back is what sparked the idea: I stumbled across it while playing with my 'new' MPC2000XL in 2000, but it was an ASR10 beat from 1997 or so.)
So, here I am, 12 years later, collaborating with an artist/label that I believe gives me the best of both worlds: artistic freedom (no creative handcuffs), while projects have a better chance of actually seeing the light of day.
I start (key word), many, many projects: mixtapes, albums, singles, production.
Hopefully, possible release will keep me focused through completion.
The only thing I do is maintain copyright control of writing/lyrics, and publishing control of original music.
I'd like to say, "Here's to a long, fruitful relationship." But, I know me, and for now, I need to concentrate on completing this record.
So, instead, I'll say, "Thank you J-Toth, Frozen Food, Intellect Emcee and Midwest Avengers, and to my fans (our fans) for the past 20 years."
Now...let's make some music!
myspace.com/addverbsuperb
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