Questions for Toth by Cold Ken

1. What does hip-hop have to do with community?

To me, since hip hop began as four elements of art; 1. breakdancing, 2. graffiti writing, 3. D.J.ing and 4. M.C.ing, modern-day hip hop COULD be about; 1. the dance trends at the local clubs, 2. the illest graphic designs of the local artists, 3. the best beats by local producers and 4. the most creative/inspired rhymes by rappers around me. I don't dance much (except by myself) and the only graphic designs I'm interested in are going on my album covers, but what I DO is make beats and rap. In MY community, hip hop is an inclusive label to define someone as "a fan or creator of some current artform". In my LIFE, hip hop is a term that defines my DOING something creative that my community will appreciate...or not.


2. How do people see through the commercialized radio rap? Does it have any value? Does it have any relation to hip-hop in it's purest form?

From what I've seen, "commercialized radio rap" is the negative stereotype of how the larger record companies have systematically sought out ONLY that rap which will make them money, i.e. explicit, shocking, base music that targets young audiences with parents who actually pay for their music, and play those songs over, and over, and over, and over, and over, and over, and over, until the rest of us can't wait for that song to never be played again. I see through it by not listening to it...unless it really is good, and then I'll buy it, or burn it from a friend. I don't have to watch MTV or BET or listen to Clear Channel to separate the grain from the chaff. The value of it is that although the market is flooded, you still finds gems and that makes it worthwhile. You also have to remember, most of the "commercialized radio rap" are real musicians who love what they do, and began as starving artists, but they might have signed contracts for money they needed or agreed to write something they normally wouldn't have written or ALL OF THEIR MUSIC IS NO LONGER THEIRS. Nowadays, I don't see it so much as a "hip hop verses rap" thing. To me, it's more like "pop music vs. the underground" or "money vs. love". Some people have friends and/or associates with a lot of money to fund their music (whether good or not) and most people have less resources and little-to-no chance comparatively, whether they are talented or not.


3. Where is the point in hip-hop's young history when its goal of evolving into a significant artistic art form to make a significant statement changed its course to become a "make money money, go shopping" mentality?

Once it collectively realized that it could...or someone would, if they didn't. If you want a point in the last 37 years of its existence, I'd say it was around 1988, when NWA released "Straight Outta Compton" on Priority Records. Before them, no one had yet found that golden calf that would be known as "Gangsta Rap". It made a lot of record labels go shopping for the best gangsta rappers they could find...and they all started releasing them in the early 1990's, especially after Dr. Dre went multi-platinum with his first solo album, "The Chronic". Hip hop was no longer trendy. Rapping about guns, weed, bitches and fashion was selling out.


4. What state do you think hip-hop is in currently?

I'm still the blind optimist. The internet is curbing the negative traits of the bigger record companies. They can't sell music very well when people want it (and get it) for free, and they certainly don't want to pay for it, unless it's REALLY good. That's leading to artists going further in their creativity and shedding old fears of "needing" a label to get them anywhere, when the World Wide Web can get them everywhere, and THAT's leading to a new breed of fans who sniff out commercialism (the chaff) to seek and find sustinance in heartfelt art (grain). I'm psyched.


5. Have you downloaded NANCY for free yet?

In an age where rappers wear make-up, get manicures and play with fancy toys, you have the NancyBoys. They are emcees who embrace their metrosexuality and flaunt it, instead of answering questions ambiguously with 'no comment'. Networking on the internet, they have joined forces to put forth this concept, the sickest yet from The Frozen Food Section, a collection of the biggest vets who create only what they can get away with...So let's get on with it...

http://thefrozenfoodsection.com/podcast.asp


[NANCY by the NancyBoys, artwork by Calc2]

myspace.com/thenancyalbum

Addverb Superb aka A.Dubs joins The Frozen Food Section

A. Double [aka Addverb Superb]

Intellect Emcee and I formed InLimbo circa 1990. After a couple of years of that, I wanted to branch out to do things I didn't think fit with with InLimbo...i.e. less serious song material.

As it turned out, two of my road-homies (BC, LJ and I were frequent party-goers) also started freestyling with Intellect and I almost everywhere we went. While hanging out with them on one of many sleepless weekends, we formed Midwest Avengers, and I was going to be their DJ (which, is what I started out as in InLimbo; Intellect was the emcee, I was DJ D-Train, and when I rhymed, my moniker was "Choo-Choo." Yes. It is funny) This was around, 1992 or 1993.

Intellect joined Midwest Avengers around the time it became a loose collection of freestyle fanatics, when any combination of the 20 or so affiliated rappers and emcees would show up to do shows. Midwest has a deeper history, but essentially, everything solidified when DJ Toasty Toast, aka Toast Emcee suggested we stop just freestyling, and actually practice a show format, with the most regular emcees, over breaks he would find and cut up.

The reason I mention that much of their history, is becuase through them, we actually began to get noticed beyond our original scene. Deep heads like Lyfestile and others liked us, and respected what we did. But it was through freestyle format both of us excelled at writing and showmanship, and it is where Intellect got the notoriety and fame; he literally transformed into everybody's favorite emcee on Midwest stages, as freestyle unlocked the artist within him, his artist self emerged, and his style solidified.

Back to me: I had my first baby in 1995, so about then is when music began to take a backseat, and life started taking over. The juggling act made me less reliable for recording and performing, so Intellect mostly worked with Midwest (which, as described earlier, definitely worked for him.)

About this time, DJ B-$Money aka Brian Dollars aka the Beyonder, revived us (1994ish), and we once again were out doing shows and performing. in 1994 (?) We released "C.R.E.W." (a cassette release!!!), featuring All That Ish, which was unsolicited yet picked up and reviewed by The Source in their Midwest Edition that summer.

That was a high point. Lots of buzz, but not capitalized on. Boo.

I worked on beats and rhymes for years after that, but nothing was released until the stalled "King of the Bullshitters" project was raided for singles, and put out as "Alias Helios:The KOTBS ERA SINGLES" collection (affectionately described as "Thirty-Something Daddy-Hop") in 2006. It contained beats from 1998 or so forward (That song, "Slips and Drums" I brought a few weeks back is what sparked the idea: I stumbled across it while playing with my 'new' MPC2000XL in 2000, but it was an ASR10 beat from 1997 or so.)

So, here I am, 12 years later, collaborating with an artist/label that I believe gives me the best of both worlds: artistic freedom (no creative handcuffs), while projects have a better chance of actually seeing the light of day.

I start (key word), many, many projects: mixtapes, albums, singles, production.

Hopefully, possible release will keep me focused through completion.

The only thing I do is maintain copyright control of writing/lyrics, and publishing control of original music.

I'd like to say, "Here's to a long, fruitful relationship." But, I know me, and for now, I need to concentrate on completing this record.

So, instead, I'll say, "Thank you J-Toth, Frozen Food, Intellect Emcee and Midwest Avengers, and to my fans (our fans) for the past 20 years."

Now...let's make some music!


myspace.com/addverbsuperb


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